by Jacqueline Valencia *As part of our ongoing coverage of the Toronto International Film Festival 2021 Tea Lindeburg‘s debut feature As In Heaven, is an adaption of the Marie Bregendahl’s 1914 Danish novel A Night of Death (En dødsnat). The novel focuses on three generations of women trying to bend
by Jacqueline Valencia Spoiler alert. Analysis and talk of the full movie. You can find this previously obscure film now on Amazon video or Tubi. ………. Angst 1983 (Austria) Directed by: Gerald Kargl Cinematography: Zbigniew Rybczyński Music composed by: Klaus Schulze Cast: Erwin Leder, Edith Rosset, Rudolf Gotz, Karin Springer
by Jacqueline Valencia (as part of TIFF‘s Modernist Master: Michelangelo Antonioni series. For screenings: https://www.tiff.net/#series=modernist-master-michelangelo-antonioni) *spoilers* You capture a moment when you take a photograph. The suspension of time and space with no context can become a story or a mystery. What leads up to a photo being taken? What
There’s merit in trash film as there are merits in art film. I often lament the fact that there is so much film I’d love to be able to watch, but not enough of a lifetime to watch it all in. So why watch trash films? Films often catch my
by Jacqueline Valencia (Editors note: Both films are part of TIFF’s 2017 Contemporary World Cinema Programme) Miami (2017) dir.: Zaida Bergroth Director Zaida Bergroth’s Miami stars Krista Kosonen as Angela a charming show dancer and Sonja Kuittinen as her small town sister Anna. Anna finds her long lost sister and through admiration and a
by Jacqueline Valencia Tackling relationships in film authentically can be a tricky business, especially if they’re about broken or blended families. There’s nuances and intimacies that get glossed over many times in favour of getting on with the story. Then sometimes there are movies that make entire films about those
by Jacqueline Valencia The appeal of films like the late Tobe Hooper‘s Lifeforce is that I like being entertained. It doesn’t matter if the film is good or bad, I frankly would like to feel like I didn’t waste my time watching it. A good film provokes me to think or it makes
by Jacqueline Valencia There is so much I could say about this Jordan Peele’s Get Out. However, in an effort to not spoil the film for any readers the best thing I can do is give you my reasons why I feel this is an important film. I’ll be linking a
by Jacqueline Valencia Here are three more films that caught our attention at the8Fest this weekend. Shades of Safflower -dyed Celluloid, 2015 by Kayako Oki (Bagerooo One Programme) “Grasp the color of shades, That was brought from light passing through safflowers, It dyes particles, time, and a very tiny
by Jacqueline Valencia (Check out the8fest schedule here: http://the8fest.com/2016%20schedule.html) Toronto is the centre for amazing film and film industry. One of the hidden gems of the city is its great 8Fest, a festival that focuses on small-gauge film such as 8mm, Super 8, and 9.5mm. They also include loops, personal homemade
Critical Focus 